Esta página contiene enlaces a lecturas sugeridas para el desarrollo de la clase.

1. Material introductorio:

(1) 'What is digital audio' (FLOSS 2012).
(2) Capítulo 1, 'Introduction to programming' (Manzo 2011, pp. 1-17).
(2) 'Digital Audio' (Dobrian 1997).

2. Audio digital, síntesis y modulación:

(1) Capítulo 7, '​Digital Signals' (Farnell 2010, pp. 119-125).
(2) Capítulo 12, '​Working with audio' (Manzo 2011, pp. 212-236).
(3) Capitulo 5.3-4 'Modulation' ('Waveshaping & Frequency and phase modulation') en 'The Theory and Technique of Electronic Music' (Puckette 2007, pp. 126-133).
(4) Capítulo 2, 'Loose modelling approaches: from modulation and waveshaping to Walsh and wavetable' en 'Computer Sound Design Focal Press' (Miranda 2002, pp. 19-43).

3. Señales de control:

(1) Capítulo 3, 'Audio and control computations' en 'The Theory and Technique of Electronic Music' (Puckette 2007, pp. 63-77).

(2) 'Polyphony Tutorial 3: Audio-Rate Control Data' (Cycling74 2014).

4. Sampling:

(1) Capitulo 2 'Wavetables and samplers' en 'The Theory and Technique of Electronic Music' (Puckette 2007, pp. 27-36).
(2) Capítulo 14, 'Audio buffers' (Manzo 2011, pp. 250-262).
(3) 'Time and Pitch Manipulation in Max 7' (Brunner 2014).

5. Polifonía:

(1) 'MSP Tutorial 21: Using the poly~ object (Cycling74 2015)
(2) 'Working with poly~' (Elsea 2002).

6. Secuenciadores:

(1) Capítulo 10, 'Working with Time' (Manzo 2011, pp. 178-198).
(2) 'Max for Live Ultimate Zen Guide' (Bayle 2013, pp. 1-18).

7. Análisis y resíntesis (FFT):

(1) 'Time Stretching And Pitch Shifting of Audio Signals – An Overview' (Bernsee 1999).
(2) Capitulo 9 'Fourier analysis and resynthesis' en 'The Theory and Technique of Electronic Music' (Puckette 2007, pp. 263-286).